Wrong Way
1972
Director: Ray
Williams
Starring: Laurel
Canyon, Candy Sweet, Forrest Lorne
An ultra
scuzzy, grubby sexploitation turd which inexplicably surfaced during the
pre-cert video era in the UK (and equally inexplicably was overlooked during
the subsequent ‘Video Nasties’ hysteria), WRONG WAY is an early 70’s Last House on the Left-inspired obscurity. But unlike LHOTH, there’s no attempt whatsoever
at any sort of character or storyline development – it amps up the sex and
seemingly the (deservedly) unknown hack filmmakers thought this would be enough
to ensure a shocking, disturbing spin-off of Wes Craven’s cult classic. Um,
no...
Two girls are
driving home through remote Californian backwoods when their car breaks
down. They run afoul of possibly
cinema’s ugliest, scummiest, greasiest biker gang (one who’s nicknamed ‘Crabs’
for obvious reasons and another who slurps down raw eggs). Under the initial guise of helping the girls,
the gang instead drag them back to their camp where they’re gang raped in every
position imaginable for the next 20 minutes. WARNING: the gratuitous nudity is
not limited to the female leads. Be prepared for lingering shots of flabby beer
bellies, unwashed arses and all-round pale, pasty middle-aged male nakedness
(thankfully all remain limp-dicked throughout the proceedings). Eventually the
gang tire of the girls and the dazed pair are left to stumble through the
wilderness in search of help. However their nightmare begins all over again
when they are captured by a Manson-like cult who plan to “reduce them to sexual
beasts”. The story then cuts to a
completely unrelated subplot involving two drug-runners/slave traders on their
way to Mexico stopping at a motel en route to have their way with their latest
acquisition.
Despite the
jaw-dropping proceedings, WRONG WAY is by no means a lost gem. It’s far too
tedious, technically inept and badly acted (including the ridiculously
choreographed rape scenes) to be disturbing. Most likely the ludicrous tacked
on ending was due to money running out during filming, the initial actors
bailing out and later included to pad the film out to feature length.) All
accompanied by a horribly grating soundtrack veering wildly between godawful
warbling folk tunes, bongos and banjos. AVOID. PLEASE.
This looks like out takes from the equally inept Sleazy Rider. It's one of those later school roughies that existed when roughies weren't needed anymore!
ReplyDeleteI hadn't heard of Sleazy Rider, now I'm intrigued...
DeleteJust saw some stills and yeap...it's equally as grimy.
Delete